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Written by escape
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It’s Judgement Day on the high seas, and there’s nothing to eat or drink that doesn’t destroy the planet! |
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Written by Donnie Lusion
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Reefer Madness is a 1936 American propaganda exploitation film directed by Louis J. Gasnier that has become a cult hit because of its dated, alarmist views on the dangers of marijuana use and the exaggerated symptoms thereof. It was originally financed by a church group and intended to be shown to parents as a morality tale attempting to teach them about the dangers of their children using marijuana. However, soon after the film was shot, it got into the hands of early exploitation-film icon Dwain Esper, who re-cut the film for distribution on the exploitation film circuit. The film did not gain an audience until it was rediscovered in the early 1970s by Keith Stroup, founder of NORML (National Organization for the Reform of Marijuana Laws), who spotted the movie’s unintended comedic potential and began college-campus screenings.
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Written by Reverend Manny
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it goes: same shit, different devil,
old song, new words,
traded in Giuliani and got Bloomberg.
Shoot first, answer to no-one later, or get someone to shoot for you — owe ‘em a favor.
new threats on the homeland, prone to danger.
got no time to work, we got our own behavior,
we got
fingers to point, flags to wave, bombs to drop, gas to spray–it’s just the Gangster Way– HEY!!!!!
you don’t know? you better ask someone
but they prolly won’t answer, son
look, we ain’t invent “stop snitching”. we adopted it
got that shit from the cops and the mafia”
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It was a windy evening in October 2006, nearly five years ago, when I first met Silent Knight, the dynamic wordsmith out of New Jersey (in rapspeak, New Jerusalem). At the time I was scraping through Jeff Jarvis‘ New Media Class at the Legendary CUNY J-School.Sunset Park, where Silent Knight had spent a good part of his youth, was the meeting point on this cruel unrelenting evening. We were scheduled to do a video interview for about 20 minutes and then go about on our ways. The thing that struck me upon that meeting 5 years ago is what strikes me now, this is a person who devotes the best part of his energies, intelligence, soul and creativity to developing the art, craft and form of hip hop. Few artists, journalists, musicians, or even political leaders I’ve met in my 10+ years of journalism have exemplified anywhere near a comparable work ethic. |
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Written by Donnie Lusion
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Commissioner Of Sewers combines interview and archival material, paintings, and clips of William S. Burroughs's film appearances (including "Decoder" and Gus Van Zant's "Drugstore Cowboy" and "Thanksgiving Prayer") with footage from his last European reading in Berlin on May 9th, 1986 to create a witty and intriguing portrait of the man described by Norman Mailer as "the only American novelist living today who may conceivably be possessed by genius."
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Written by Donnie Lusion
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Attempted by so many people vainly, Dominik Eulberg is the one who can claim for himself having reconciled ornithology and techno successfully. Dominik Eulberg, raving ornithologist from the Westerwald is both: an international booked DJ in spotlight and an observer of the domestic Flora and Fauna in quiescence – a master of reconciled contradictions. He has released numerous singles as well as full-length albums on labels such as Cocoon Recordings and Traum Schallplatten.
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